The black and white stripes blur
due to their quickness and what is tattooed
into the pigment of their hides by racing
through the grainy sands of the equatorial sun.
Who wouldn't intuit streams of their movement,
even before they splash through the pools
of water in the shallows of their quenching?
As they shake off the dust from
their tomahawk manes, they are never any happier
when they gallop over the dry banks of the channel
after they have plashed through river mud.
In this lifetime, when you mail a card to me,
signed: Your Zebra, with stripes
bearing themselves on the front cover,
and the smudge of your kiss a carnelian stamp
pressed onto the back of the envelope,
it makes your stallion whinny.
Whatever scent you that you infused within
allows me to imagine how I would inhale
the aroma of your skin, as we stop in the wind
of our own making, among antelope and gazelle.
Let us run apart from the herd.
Let our stripes blend together
across the grasslands of the Savanna.
May we bask felicitously among irascible hippos.
And, Oh, Darling, may we outrun the lions.
-Wally Swist
Wally Swist's recent poems appear in "Appalachia, From the Other World: Poems in Memory of James Wright" (Lost Hills Books, 2007), Puckerbrush Review, and "The 2008 Lunar Calendar" (Boston: Luna Press). A recording of a poem from his reading in the Sunken Garden Poetry Festival is archived at npr.org. He is a recipient of two fellowships in poetry from the Connecticut Commission on the Arts (1978 and 2003). A documentary film regarding his work was recently released in "The Poets of New England" series (Amherst: AIMS Video Services, University of Massachusetts). Timberline Press will publish his latest collection of poetry, "Mount Toby Poems," in a letterpress limited edition, in late 2008.
She asks me if I will remember our passion.
Seated beside a window in a Pullman,
passing through the countryside in spring,
a signpost of a village flashes before our eyes.
There is a red barn beside the station, a pond
reflecting sky, and pink blossoms falling above
the white chickens. Traveling in the locomotive
of the heart, we must always try to appraise
what we can keep and how much
of the extraordinary we must learn to let go of,
how much of us, as limitless as passion can be,
will remain; how we may be able
to break past that to find ourselves
more aware of a radiance than a blinding light,
destined, as we are, to arrive
somewhere between moving and standing still.
- Wally Swist
Wally Swist's recent poems appear in "From the Other World: Poems in Memory of James Wright" (Lost Hills Books, 2007), Puckerbrush Review, and "The 2008 Lunar Calendar" (Boston: Luna Press). A recording of a poem from his reading in the Sunken Garden Poetry Festival is archived at npr.org. He is a recipient of two fellowships in poetry from the Connecticut Commission on the Arts (1978 and 2003). A documentary film regarding his work was recently released in "The Poets of New England" series (Amherst: AIMS Video Services, University of Massachusetts). Timberline Press will publish his latest collection of poetry, "Mount Toby Poems," in a letterpress limited edition, in late 2008.
Every morning, a rooster
awakens me to begin my day.
He projects the scratchy
tenor of his voice,
on whose squeaking hinges
doors open to the new life.
Given the chance,
as he has, he would like
to awaken the world,
and as sunlight streams
through the leaves
down the mountain, I rise
from my bed in a cabin
at the bottom of a hill, and
go to work; my dreams
still moist with dew
from the night before.
Rooster, you call the morning
light that illumines
a new beginning, and even
in gray weather, with the rain
of sleet thundering over
the shed's corrugated tin roof,
it is your voice, friend,
that rings out
to affirm the possibility
of weathering any storm.
- Wally Swist
Wally Swist's recent poems appear in "From the Other World: Poems in Memory of James Wright" (Lost Hills Books, 2007), Puckerbrush Review, and "The 2008 Lunar Calendar" (Boston: Luna Press). A recording of a poem from his reading in the Sunken Garden Poetry Festival is archived at npr.org. He is a recipient of two fellowships in poetry from the Connecticut Commission on the Arts (1978 and 2003). A documentary film regarding his work was recently released in "The Poets of New England" series (Amherst: AIMS Video Services, University of Massachusetts). Timberline Press will publish his latest collection of poetry, Mount Toby Poems, in a letterpress limited edition, in late 2008.
Take all away from me, but leave me Ecstasy.
Emily Dickinson
If you make a gift of your walking stick -
make it a thick pine branch,
stripped of the bark -
the one that has accompanied you
on many hikes. Let it be
the one that has secured
your steps on Toby, Grace,
and Lafayette. Brush the wood
with layers of polyurethane
cincture the top with a sash
of wound leather strips,
tied in a bow knot;
then insert hawk feathers
to billow above the woven cords
En prana it
to guide her on a trail in the wild.
By your making it a gift, bless her
as she walks wherever she walks,
so that she may remember:
she is one with everything -
that she is safe whenever she walks.
It is imperfectly fashioned,
unlike your Ecstasy, but it is
designed to remind her of that.
- Wally Swist
Wally Swist's poems appear, or are forthcoming, in Appalachia, Arabesques Review, Lalitamba, Osiris, Rosebud, and The 2008 Lunar Calendar (Luna Press). His books of poems include The New Life (Plinth Books) and The Silence Between Us (Brooks Books). A recording of a poem from his reading in the Sunken Garden Poetry Festival is archived at npr.org. Twice a recipient of fellowships in poetry from the Connecticut Commission on the Arts, he also has been awarded three writing residencies at Fort Juniper, the Robert Francis Homestead. A new collection of his poetry, Mount Toby Poems, is forthcoming from Timberline Press in a letterpress limited edition in late 2008.
This is where wildflowers and winds
blossom and end -
verdure bordered by stone walls,
whose track, worn by farm wagons
piled high with bales of hay,
rises and disappears in morning fog.
Scent of cedar and scrub juniper,
glimmer of stone outcrops -
sulfurs wind a trail between a patch
of purple clover and shoals of anemones,
then alight upon each marsh buttercup
dotting the bluestems.
I am cleansed in watching the quiet ways
of the foraging spotted doe,
how swallows pluck gnats from a cloud
that expands and contracts
beneath Venus and the crescent,
as if I had died and entered the bardo,
that time of blessing
for the soul in between lives.
Wally Swist's poems appear, or are forthcoming, in Arabesques Review (Algeria), Lalitamba, New England Watershed Magazine, Osiris, Rosebud, Sahara: A Journal of New England Poetry, and The 2008 Lunar Calendar (Luna Press). His books of poems include The New Life (Plinth Books, 1998), Veils of the Divine (Hanover Press, 2003), and The Silence Between Us (Brooks Books, 2005). A recording of a poem from his reading in the Sunken Garden Poetry Festival in 2003 is archived at npr.org. He was poet-in-residence at Fort Juniper, the Robert Francis Homestead, in North Amherst, from September 2003 through August 2005.
Wrens, finches, and warblers
sing all the way up the mountain.
We identify wildflowers by the color
of their petals: the red spur
of columbine, the pale lavender
of wild geranium. This morning
we name our own flowering,
our voices rising in a chorus
above the hues of blossoms
in the meadow we step into _
the yellow, white, and purple
of wild oats, sarsaparilla, and trillium.
thinks I need to be awakened
to hear the freight at 3 a.m.
and its lumbering over the tracks
a half a mile down Market Hill Road
in Cushman center, a momentary twinkling
of stars across the bowl of the sky.
The angel's hair streams, as she stands
on a flat bed, the countryside of rime
and ice spread beyond the stiff wings
that rise above her shoulders
and the fluttering of her gown
before the leaden drumming of the freight
drones to a pause in the train's passing.
Light emerges from the angel's face
like the moon rising above the pines,
the index finger of one hand pointing
from where she now leans over
the caboose's railing, bitter wind
swirling beneath the eaves, the spangled
design of icicles and frost flowers
embroidered across her bodice, the edges
of her sleeves, and the hem of her skirt.
The feathery rasp of the angel's voice
steams in a cloud: divine each day,
choose to write words that praise,
that open out of the center of everything.
Somehow I could tell you entered
the cabin, and before I unlock the door,
I check for the extra key beneath
the brick at the southwest corner.
Somehow I know it has been moved-
that it is not where it was before.
I imagine I can inhale the aroma
of your skin within the sweet scent
of the pine this cabin was built with.
I know how your aura moves across
any room, trailing those blue and gold lights-
how you must have listened to the wind
singing through the remaining leaves
of the trees in the late October rain.
I know what appears to be madness
sometimes can be love, that it is
something more inconsistent,
and then even more constant, and always
more beautiful than any of that-
so that it remains a mystery
that no one else, especially
the two of us, can understand.
I step into the summer evening,
and their blinking lights surround me.
I enter into each wave in the green darkness
of birch and beech, cresting through the needles
of hemlocks, a nebula that expands
around me. I cup some in my hands,
open my palm's cave to see
how they flicker there, and lift them up
to let each go beneath the treetops,
the moon just beginning to rise.
The trickle of melting ice
catches in the basin beneath the culvert,
flows ledge to ledge, then descends
the stony bed worn between the banks
of the gorge. Run off flashes
along the shoot of the frozen falls-
the thaw of the brook pausing
across a long table of snow-encrusted rock
before it tumbles over the rim of another.
The sluice slides down the doglegs
of ice, spills ribbons of water that plunge
through the beams of sunlight illuminating
each pool, and where, mid-mountain,
I stop to watch the rippling
water shadow silver the mossy cliffs.
Wally Swist is the recipient of two fellowships in poetry from the Connectict Commission on the Arts (1978, 2003). He was poet-in-resident at Fort Juniper, the Robert Francis Homestead, in North Amherst, Mass., in 1998, then from 2003-2005. His poetry has appeared in ''Alaska Quarterly Review,'' ''Connecticut Review,'' ''The Haiku Anthology'' (W. W. Norton & Company, 1999), '' The Yale Literary Magazine,'' and ''Yankee.'' Books of his poetry include ''Veils of the Divine'' (Hanover Press, 2003) and ''The Silence Between Us,'' his selected haiku, published in ''The Goodrich Haiku Masters Series'' (Brooks Books, 2005). A poem from his reading in the Sunken Garden Poetry Festival in 2003 is available at npr.org. We thank him for sharing a poem with us each season.